The Colosseum : Wonders of the World - Keith Hopkins

The Colosseum

By: Keith Hopkins, Mary Beard

Paperback | 31 May 2011

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Read the Bldg Blog interview with Mary Beard about "The Wonders of the World series" (Part I and Part II) Byron and Hitler were equally entranced by Rome's most famous monument, the Colosseum. Mid-Victorians admired the hundreds of varieties of flowers in its crannies and occasionally shuddered at its reputation for contagion, danger, and sexual temptation. Today it is the highlight of a tour of Italy for more than three million visitors a year, a concert arena for the likes of Paul McCartney, and a national symbol of opposition to the death penalty. Its ancient history is chockfull of romantic but erroneous myths. There is no evidence that any gladiator ever said 'Hail Caesar, those about to die...' and we know of not one single Christian martyr who met his finish here. Yet the reality is much stranger than the legend as the authors, two prominent classical historians, explain in this absorbing account. We learn the details of how the arena was built and at what cost; we are introduced to the emperors who sometimes fought in gladiatorial games staged at the Colosseum; and, we take measure of the audience who reveled in, or opposed, these games. The authors also trace the strange afterlife of the monument - as fortress, shrine of martyrs, church, and glue factory. Why are we so fascinated with this arena of death?
Industry Reviews
Racy and occasionally confrontational...This book revels in the accretions of detail and myth. The improbable animal fights; the unfeasibility of flooding the arena to stage mock sea-battles; the claims of Christianity to the place, with a crucifix and 200 days' indulgence accruing in memory of the early Christians who (probably) didn't get torn to pieces by the lions who (probably) weren't there in the first place; the thunder of footsteps on the wooden floor, deafening those in the undercroft with its winches and ramps and the stink and racket of animals and fighting men; the heat in the arena despite the probable shade offered by great cantilevered canvas awnings: first-class scholarship and an engagingly demotic style bring all this into sharp focus. -- Michael Bywater The Independent 20050325 It is a work of scholarship written with the general reader in mind. The scholarship is worn lightly, and the book is a pleasure to read. It sums up all that is known, and makes it clear that much must remain conjectural. Anyone visiting Rome and making the obligatory sightseeing tour of the Colosseum will do well to read it in advance and keep it to hand; enjoyment will be much enhanced. -- Allan Massie The Spectator 20050319 The book covers a wide variety of topics, including--to give but a few examples--the life of a gladiator, which was distinctly unglamorous, the exclusion of women from vast areas of the auditorium, the means by which wild animals were brought to Rome, the duration of the 'shows' (123 days for a Trajan bloodbath, according to one observer), the splendid flora (420 species in 1855, although now diminished by weedkiller), and practical tips for any visitor. The book is a great read. -- John McBratney Irish Times 20050312 Keith Hopkins and Mary Beard, eminent classical historians, have written a superb new cultural history of the Colosseum. As well as documenting the variety of flowers that once grew wild among the ruins, they offer pithy and occasionally hilarious accounts of the three million tourists who descend on the monument each year. -- Ian Thomson Evening Standard 20050307 [Hopkins and Beard] succeed remarkably in dispelling many of the myths surrounding the Colosseum...Lively writing brings the Colosseum and its denizens to life in great detail. -- Rita Simmons Library Journal 20050801 Brisk and illuminating, with much surprising information. Kirkus Reviews 20050901 A fascinating account for the Rome-bound traveler as well as the fan of European history. -- George Cohen Booklist 20051001 A lure for travelers since the days of the Grand Tours, this majestic ruin in Rome was, of course, the scene of murderous spectacles in ancient times. The writers, a pair of British academics, recount the origin of the Colosseum on the site of a private lake in Nero's palace, reveal how it was built and operated and draw on archaeology and classical writings to detail the lives of the gladiators. The magnificent, crumbling building still holds pride of place in the Eternal City, and this book provides a readable and informed introduction. -- David Armstrong San Francisco Chronicle 20051013 It has been, and continues to be, the object of myth as well as the defining symbol of ancient Rome; a romantic ruin to ongoing popular tourist attraction. Filmmakers, too, from Cecil B. DeMille to Ridley Scott, have used it for their own creative impulses. Although work on the building started in AD 72, it did not officially open until AD 80. Authors and classical historians Keith Hopkins and Mary Beard explain how it was built--and at what cost. -- June Sawyers Chicago Tribune 20060115 This architectural icon of the classical world probably has been the subject of more myths and half-truths than any other building surviving from antiquity...This slim book, which would fit into a pocketbook or a knapsack, would make a worthy travel companion for anyone visiting Rome because it sheds so much light on "what is likely to seem at best a confusing mass of masonry, at worst a jumble of dilapidated stone and rubble." -- Spencer Rumsey Newsday 20060226 In her concise portrait Beard shines a torch into the dark recesses of the building's long history and illuminates a gladiator here, a fresco there, a medieval bullfight there...Here there is a sophisticated interpretation of the Colosseum's meaning and a survey of nineteenth- and twentieth-century responses to the Colosseum, with quotations from Byron, Mark Twain, Henry James and Hitler. -- Debra Aaronson Lawless New England Classical Journal 20060101 Gives a sprightly, entertaining account of this archetypal building in all its various incarnations, from the "killing fields" of antiquity to the pilgrim's goal of the sixteenth century, the botanist's paradise of the nineteenth, and the archaeologist's puzzle of today--four different construction crews worked on separate quarters of the building, with conspicuously differing results. -- Ingrid Rowland New York Review of Books 20071011

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