The Heiress : The deliciously dark and gripping new thriller from the New York Times bestseller - Rachel Hawkins

The Heiress

The deliciously dark and gripping new thriller from the New York Times bestseller

By: Rachel Hawkins

Paperback | 9 January 2024 | Edition Number 1

At a Glance

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When Ruby McTavish Callahan Woodward Miller Kenmore dies, she's not only North Carolina's richest woman, she's also its most notorious. The victim of a famous kidnapping as a child and a widow four times over, Ruby ruled the tiny town of Tavistock from Ashby House, her family's estate high in the Blue Ridge mountains. In the aftermath of her death, that estate - along with a ten-figure fortune and the demands of being a McTavish - pass to her adopted son, Camden.

But to everyone's surprise, Cam wants little to do with the house or the money - and even less to do with the surviving McTavishes. Instead, he rejects his inheritance, settling into a normal life as an English teacher in Colorado and marrying Jules, a woman just as eager to escape her own messy past.

Ten years later, a summons in the wake of his uncle's death brings Cam and Jules back into the family fold at Ashby House. But no sooner have they arrived than questions about the infamous heiress begin coming to light. Was there any truth to the persistent rumours following her disappearance - that perhaps the little girl who was returned to the McTavishes for a handsome reward wasn't the real Ruby, but a changeling? What really happened to those four husbands, who all died under suspicious circumstances? And why did Ruby adopt Cam in the first place?

Soon, Jules and Cam realize that an inheritance can entail far more than what's written in a will - and that the bonds of family stretch far beyond the grave.

About the Author

Rachel Hawkins is the New York Times bestselling author of The Wife Upstairs and Reckless Girls. She also writes as our own Erin Sterling, author of The Ex-Hex and The Kiss-Curse, and has written multiple books for young readers.
Industry Reviews
PRAISE FOR THE VILLA:

Clever and wickedly fun, The Villa is a moody labyrinth of a novel fortified by Hawkins's evident knowledge of Gothic conventions: missing manuscripts, debauched aristocrats, isolated locales and the like... a spooky, intricate thriller - Washington Post

"A catnip literary premise: [The Villa] is a dual-timeline psychological thriller inspired by the birthplace of the novel Frankenstein...all deliciously atmospheric fun - Seattle Times

Hawkins weaves an engrossing tale about betrayal, sisterhood, and the power of telling your own story. Captivating! - People

Hawkins casts a sharp eye throughout to the way we construct stories about female artists?and the moral ambiguity inherent in creation and fame. The effect lingers like a shadow, or a creature, that endures past the final words. Hawkins manages to achieve the seemingly impossible: A Frankenstein-inspired novel that feels both fresh and unique - Kirkus (starred review)

This story's finely honed interplay of creative ambition and haunting sadness makes it a step above. Hawkins pokes at the darker aspects of both true crime and self-help, and it works beautifully. Hawkins' star is definitely on the rise after two bestsellers, and this one will propel her further into the stratosphere - Booklist (starred review)

"The White Lotus" vibes with a side of moody, gothic suspense elements? We'll take it. - The Skimm

Equally compelling dual timelines intertwine as The Villa progresses, showcasing Hawkins' skill at crafting intriguing characters who take the notion of an unreliable narrator to clever new heights. Sly commentary on self-help and true crime mixes nicely with eerie gothic elements in this inventive and provocative tale that explores the dark side of artistic genius and the corrosive effects of unhealthy relationships... Fans of twisty, creepy, layered thrillers will revel in their suspenseful stay at The Villa - Bookpage

Friendship and professional jealousy fuel this nail-biter... Intense characters complement the brisk plot, which shifts smoothly between the present and 1974. Hawkins consistently entertains - Publishers Weekly

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