PRAISE FOR THE VILLA:Clever and wickedly fun,
The Villa is a moody labyrinth of a novel fortified by Hawkins's evident knowledge of Gothic conventions: missing manuscripts, debauched aristocrats, isolated locales and the like...
a spooky, intricate thriller - Washington Post
"A catnip literary premise: [
The Villa] is a dual-timeline psychological thriller inspired by the birthplace of the novel
Frankenstein...all
deliciously atmospheric fun - Seattle Times
Hawkins weaves
an engrossing tale about betrayal, sisterhood, and the power of telling your own story. Captivating! - People
Hawkins casts a sharp eye throughout to the way we construct stories about female artists?and the moral ambiguity inherent in
creation and
fame. The effect lingers like a shadow, or a creature, that endures past the final words. Hawkins manages to achieve the seemingly impossible: A
Frankenstein-inspired novel that feels both
fresh and unique - Kirkus (starred review)
This story's finely honed interplay of creative ambition and
haunting sadness makes it a step above. Hawkins pokes at the darker aspects of both true crime and self-help, and
it works beautifully.
Hawkins' star is definitely on the rise after two bestsellers, and this one will propel her further into the stratosphere - Booklist (starred review)
"The White Lotus" vibes with a side of moody, gothic suspense elements? We'll take it. - The Skimm
Equally
compelling dual timelines intertwine as
The Villa progresses, showcasing Hawkins' skill at crafting
intriguing characters who take the notion of an unreliable narrator to clever new heights. Sly commentary on self-help and true crime mixes nicely with eerie gothic elements in this
inventive and provocative tale that explores the dark side of artistic genius and the corrosive effects of unhealthy relationships...
Fans of twisty, creepy, layered thrillers will revel in their suspenseful stay at The Villa - Bookpage
Friendship and professional jealousy fuel this nail-biter... Intense characters complement the brisk plot, which shifts smoothly between the present and 1974.
Hawkins consistently entertains - Publishers Weekly