The Last Miles : The Music of Miles Davis, 1980-1991 - George Cole

The Last Miles

The Music of Miles Davis, 1980-1991

By: George Cole

Hardcover | 29 January 2019 | Edition Number 1

At a Glance

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Miles Davis was one of the musical giants of the twentieth century. In a career that spanned more than five decades, Miles transformed the face of jazz four or five times and his music resonates far beyond the bounds of his genre. Miles made the most famous album in the history of jazz, Kind of Blue, formed one of the greatest jazz quintets in the 1960s and fused jazz with rock.

Including unique interviews with dozens of Miles’ closest colleagues, many of whom have never before been interviewed about their time with him, The Last Miles concentrates on the final period of Miles’ life, after he had emerged from a five-year lay-off from the world of music. Right up until the end of his life, he was still searching, still exploring and still refusing to play it safe. The focus is on the music Miles recorded and played, and how it evolved in the eyes of the musicians he played with. Those interviewed include, George Duke, Teo Macero, Tommy LiPuma, Marcus Miller, Darryl Jones, Chaka Khan, David Sanborn, Branford Marsalis, Steve Porcaro and Easy Mo Bee. There are also interviews with musicians who played with Miles before the 1980s, including Dave Liebman, Pete Cosey, Michael Henderson and Mike Zwerin, who give their own assessment of the music Miles played during the final period of his life. Cheryl Davies, Miles’ only daughter, is also interviewed.

The Last Miles is full of fascinating new facts and stories about Miles. For the first time, every member of the group of young musicians from Chicago who helped bring Miles back into the music scene gives their story. Music journalist George Cole also reveals for the first time the full story behind a lost Miles Davis album recorded in 1985, tells you about a song Miles co-wrote for Mick Jagger, how he worked with Prince, and discovers new and unreleased music that Miles recorded. If you’ve ever wanted to know how Miles recruited his band members, what it was like working with Miles in the studio or to play with him on-stage, The Last Miles has the answers. There is at least one chapter devoted to each album that Miles recorded during this period. Full track-by-track descriptions contain many new and interesting tales behind the songs including how Sting came to record on one of Miles’ tracks, why Prince dropped a song slated to appear on the Tutu album, how Gil Evans helped Miles compose many of the tunes on the album Star People, what Splatch means and who Ursula was.

Industry Reviews

Voted one of the top ten music books of 2005 by Record Collector magazine.

Joint winner of the Association for Recorded Sound Collections’ Best Jazz History Book 2006 award.

The most immediate impact that this book had on me was to make me listen again to Miles’ later recordings with a completely regenerated ear and this really is the reason why this book works so well and is an essential read for any true Miles Davis appreciator… you will be hard pressed to find a more inspirational read, written by a man who quite simply loves Miles Davis’ music.
Mike Chadwick, Ejazz.fm

There are large chunks of fresh material here… Fill[s] in quite a few gaps and dismisses blanket condemnations of [Miles’s] pop phase.
Stephen Graham, Jazzwise

Cole does for Miles’ late work what Ian Macdonald’s Revolution In The Head does for The Beatles, examining each album in meticulous detail.
John Lewis, Time Out

Cole’s analysis has a meticulous, forensic character… [and] is able to bring a wealth of new information to light… This book should get people talking. It should be the first rather than the last word on an intriguing chapter of the life an extraordinarily complex artist. And Davis’s vanity would surely have loved that.
Kevin Le Gendre, Independent on Sunday

Cole’s certainly produced a fascinating book.
Chris Ingham, Mojo

As with any good musical biography, Cole had made me think again about those albums such as Siesta, You’re Under Arrest, The Man with the Horn, that are now stashed in my attic.
John Bungey, The Times

The title is likely to send most jazzbos running, with received wisdom having handed down the rule that in the 80’s Miles was only good for playing live; and half of that was just the pleasure of seeing him in person. For a single man to take on the 400-page+ task of changing popular opinion is a very tall order indeed. For him to make you want to actively revisit the decade in question is a near-miracle. Detailing album histories and giving final verdicts, Cole has made every effort to lay the evidence out bare.  The analysis could have been a chore were it not for the presence of first-hand interviews with all the major players, making this not just a scholarly study, but a tribute to the man himself. And for a book such as this, you learn more about Davis that could have been expected.
Jason Draper, Record Collector

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