'You must paint her just like that ... as the Tragic Muse'
Thus suggests one of James's characters to Nick Dormer, the young Englishman who, during the course of the novel, will courageously resist the glittering Parliamentary career desired for him by his family, in order to paint. His progress is counterpointed by the 'Tragic Muse' of the title, Miriam Rooth, one of James's most fierily beautiful creations, a great actress indifferent to social reputation, and triumphantly dedicated to her art.
In portraying the conflict between art and 'the world' which is his novel's central idea, James engaged obliquely with current debates on the new aestheticism of Pater and Wilde and on the nature of the actor's performance. Through the living complexity of his protagonists he reveals how much, as Philip Horne puts it, 'to take art seriously as an end in itself ... is still a provocative course'.
This Penguin Classic forms the first fully annotated edition of The Tragic Muse and, together with textual notes, Philip Horne provides a stimulating introduction, a glossary and bibliography.
About the Author
Born in New York of Irish and Scottish ancestry and educated in New York, London and Paris, Henry James is best known for his cosmopolitan and often haunting portraits of European and American life. He was also a prolific writer of literary criticism and shorter fiction. James settled in England in 1876, where he spent most of the rest of his life and completed his best-known work.
Industry Reviews
The young Englishman at the centre of this novel resists the glittering parliamentary career desired for him by his family, in order to paint. His progress is counterpointed by teh eponymous 'tragic muse', Miriam Rooth, a great actress indifferent to social reputation, triumphantly dedicated to her art. Portraying the conflict between art and the world James engages with contemporary debates on aestheticism. (Kirkus UK)