Uncreative Writing : Managing Language in the Digital Age - Kenneth Goldsmith

Uncreative Writing

Managing Language in the Digital Age

By: Kenneth Goldsmith

Paperback | 20 September 2011 | Edition Number 1

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Can the techniques we traditionally think to be outside the scope of literature, such as word processing, databasing, appropriation, identity ciphering, collaboration, and intensive programming, inspire a reinvention of writing?

In Uncreative Writing, Kenneth Goldsmith believes writers now face a situation similar to that of painters in the nineteenth century. As photography forced artists to alter their approach to their medium, the Internet presents new challenges and opportunities for writers to reconceive ideas about creativity, authorship, and their relationship to language. Confronted with an unprecedented amount of available text and language, writers need to move beyond the creation of new texts to manage, parse, appropriate, and reconstruct those that already exist.

Goldsmith talks of writers who are already taking up this challenge. He discusses a wide range of works and techniques, including the use of Google searches to create poetry, the appropriation of courtroom testimony, and the possibility of robo-poetics. Goldsmith also shows that while the advent of the Web presents new opportunities for writers, many of the seemingly new techniques it represents date back to the early part of the twentieth century. Writers and artists such as Walter Benjamin, Gertrude Stein, James Joyce, and Andy Warhol embodied an ethos in which the construction or conception of a text is as important as what the text says or does. Yet more than just reconfiguring texts, uncreative writing, as Goldsmith shows, can also be suffused with emotion, offering new ways of thinking about identity, the ways in which meaning is forged, and the ethos of our time.
Industry Reviews
Brilliant and elegant insight into the exact relation of contemporary literary practices and broader cultural changes, explaining how the technologies of distributed digital media exemplified by the World Wide Web have made possible the flourishing of a particular type of literature. -- Professor Craig Dworkin, author of The Consequence of Innovation: Twenty-First-Century Poetics What Goldsmith argues has significant implications for the world of poetry, poetics, and pedagogy. His book contains brilliant moments of exegesis and archival documentation, and its keen attention to, knowledge about, and currency in artistic practice makes it as much a user's manual as a scholar's tome. -- Adalaide Morris, The University of Iowa In these witty, intelligent essays, Goldsmith brings his encyclopedic knowledge of radical artistic practice to bear on how the rise of the internet has irrevocably changed, or should irrevocably change, our existing conceptions of poetry. Goldsmith's practice as artist and critic is deeply interesting. His book is sure to generate lively debate among poets, artists, literary historians, and media theorists. -- Sianne Ngai, University of California, Los Angeles Multimedia artist and executive manager of words, Goldsmith writes a provocative manifesto for writing in the digital era, with a treasure trove of ideas, techniques, and examples that allow us to make it new-again! -- Marcus Boon, author of In Praise of Copying "...a fascinating collection of essays..." Phi Beta Kappa Goldsmith achieves a very difficult feat with this book: he writes lucidly about complex and avant-garde ideas. As a result, he opens up a vital debate for anyone who cares about literature, between notions of traditional creative writing and the set of practices he labels "uncreative writing". -- Douglas Cowie Times Higher Education Selected writers and their practices are reviewed in a series of accessible essays perfect for college-level writers. Midwest Book Review Good. -- James Franco, actor An invigoratingly different style of writing guide, that reveals how jump-starts to one's imagination can be achieved through what seems (at first glance) to be the unlikeliest of means. Library Bookwatch

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