Shakespeare's Global Philosophy

Part 1 Mapping the 1609 Sonnets taking nature to the sonnets Preliminary to an inquiry into Shake-speare's Sonnets Chapter 1: Penetrating Q Chapter 2: Further structuring in the set Chapter 3: Truth and beauty and the sonnet writer Chapter 4: Counting sonnets Chapter 5: The Mistress explains beauty and truth Chapter 6: 'Truth and beauty' mirrors 'beauty' and 'truth' Chapter 7: Looking further into the male sequence Chapter 8: The Master Mistress learns about reason and art Chapter 9: The swearing and forswearing of mind-based conventions Chapter 11: The utility of the sonnet logic Chapter 12: Nature's audit Chapter 13: Sexual life - erotic souls Chapter 14: From the cryptic dedication to logical mapping Concluding the inquiry into Shakespeare's Sonnets Part 2 The European theatre taking the Sonnets to the plays Preliminary to an examination of the Comedies, Histories and Tragedies Chapter 15: Turning to the 1623 Folio Chapter 16: Given nature in the plays Chapter 17: How the plays regard the female/male dynamic Chapter 18: Begetting increase in the plays and poems Chapter 19: The cunning pen Chapter 20: Thinking feelings and feeling thoughts Chapter 21: From the sexual dynamic of life to myths of dying Chapter 22: Shakespearean irony Chapter 23: Immature and mature love in the plays Concluding the examination of the Comedies, Histories & Tragedies Part 3 The wooden Globe taking the plays to the world Preliminary to a realignment at The Globe Chapter 24: A devious debut and fiery finale Chapter 25: Re-discovering nature's globe Chapter 26: Global strategies Chapter 27: Beyond the Wooden O Concluding the realignment at The Globe Chapter 28: Mr. Shakespeare