The Finnish-Soviet Winter War 1939-40

This informative study explores the Soviet invasion of Finland, detailing the events of the Winter War of November 1939 to March 1940. The invasion was expected to be swift and decisive, however, the fighting qualities of the Finnish Army blunted the Soviet advance and inflicted high numbers of casualties. A combination of difficulties caused by the weather, the terrain, the Mannerheim Line defences and Finnish tactics resulted in a fascinating David vs Goliath type struggle.

On 23 August 1939, a secret protocol was appended to the German–Soviet Non-Aggression Pact; as part of this, Finland was assigned to the Soviet sphere of influence. On 30 November that year, in an effort to protect against renewed German aggression in the East, the Soviet Union attacked Finland, beginning what became known as the Finnish-Soviet Winter War. This long-awaited addition to the Campaign series explores the events of the war of November 1939 to March 1940. Set against the background of the developing global conflict, the conflict saw the Finnish Army thwart the plans of the sizeable Soviet forces assembled against it, before finally being forced to concede. The major battles of the war, which took place in harsh winter conditions, are covered in detail, including the Mannerheim Line, the fighting in Ladoga Karelia and Kollaa, and the clashes in Finnish Lapland.

About the Author

Dr David Murphy is a graduate of University College, Dublin and Trinity College, Dublin. He is currently a lecturer in military history and strategic studies at Maynooth University in Ireland. He has also lectured abroad at various institutions including the Dutch Military Academy, Breda, West Point Military Academy and the US Command and Staff College, Fort Leavenworth. David is a member of the Royal United Services Institute, and a fellow of the Royal Historical Society.

About the Illustrator

Johnny Shumate works as a freelance illustrator living in Nashville, Tennessee. He began his career in 1987 after graduating from Austin Peay State University. Most of his work is rendered in Adobe Photoshop using a Cintiq monitor. His greatest influences are Angus McBride, Don Troiani, and Édouard Detaille.